This new offering from Gibson is a long-scale, drop-tuned instrument with a 28″ scale length that is suitable for lower tuning.
It comes with a maple top and weight-relieved mahogany body. The mahogany neck has the ’50s profile with a rosewood fingerboard that has 22 medium-jumbo frets and a 12-inch radius with a 1 11/16″ nut width.
I have yet to try this guitar but my immediate thoughts are around balance and weight for playability and how much use I would get out of it to make it worth forking out over £1000.
The Pawn Shop Series instruments are all-new Fender guitars with a mixture of diverse Fender components. Fender call them “guitars that never were but should have been.”
This is the Fender ’51. It has a Stratocaster® body and a “C”-shaped Telecaster® neck. Pups are a Texas Special™ neck pickup, and a Fender Enforcer™ humbucking bridge pickup.
Here we have the Fender ’72. It has a semi-hollow Stratocaster® body with f hole and a Telecaster® neck with a Enforcer™ humbucking bridge pickup and a standard Wide Range humbucking neck pickup.
The Mustang Special has a modified offset Mustang® body, ’60s “C”-shaped 24” short-scale maple neck, and dual Fender Enforcer™ humbucking pickups with ’70s-style covers and unique switching.
More info here http://www.fender.com/en-GB/products/pawnshop
Not content with adding a Bigsby to a LP standard, Gibson announce the Les Paul Axcess which is marketed as the Alex Lifeson (of Rush) model.
This hybrid has two high-output humbucking pickups with series/parallel wiring options via its push-pull volume controls, and a Floyd Rose® licensed unit that is not only vibrato system but also loaded with GraphTech™ Ghost® piezo bridge saddles.
Combining the series/parallel options with the Ghost’s® realistic acoustic tones for a blend of acoustic and magnetic voices
You can route it all through a traditional mono jack (labeled “Regular”) using a single guitar cable, or use two cables to split your acoustic sounds into a separate output path using the “Regular” and the “Life-O-Sound” output jacks together.
While the Floyd Rose® looks a little better than the Bigsby VS I have not been a huge fan of them in the past. Perhaps Gibson have made some improvements to this “licensed” version and at an advertised price of around £2,699 one would hope so. The electronics are interesting but it is doubtful that they are much different to those found on other guitars with split coils. The addition of the GraphTech™ Ghost® piezo seems to be at odds with the high output humbuckers. Anyway I would like to try one.
This guitar has a the classic Ebony Black nitrocellulose finish, a carved maple top giving the usual clarity and sustain, with a mahogany body to add depth and richness to the tone. In fact it has all of the things we love about LP Standard, plus a Bigsby unit. However, somehow it just doesn’t look right.
The Les Paul Junior DC Bass Guitar
The Les Paul Junior DC Bass has a solid mahogany body with glued-in mahogany neck for outstanding resonance, depth and sustain, and plenty of tonal sweetness with impressive punching power.
The neck measures 1.60″ wide at the nut, with a depth of .850″ at the 1st fret and .900″ at the 12th, dimensions that yield outstanding speed without cramping your style in the least. The grade-A rosewood fingerboard carries 20 medium-jumbo frets, with good access right up toward the top thanks to the double-cutaway body design.
Anchored by Gibson’s unique and highly adjustable three-point bass bridge set deep into the meat of the body, and a set of efficient Grover™ shamrock-key tuners at the other.
Introduced in 1962, the Jaguar® paired brighter pickups with a shorter 24” scale and Jazzmaster®-like control layout. This American Vintage ’62 Jaguar has all the distinctive Jaguar features, including a trio of sliding pickup selector switches, upper bout rotary volume wheels, chrome hardware and tremolo lock. The unusual Fender mute is a built-in but removable string-damping device designed for surf music